As it is mentioned in Paper Journal, the images created in Lorenzo Vitturi’s photobook A Dalston Anatomy is reminiscent of Fischli/Weiss‘ sculptures − one may recall, especially, the selection in Venice Biennale 2013 − and Guiseppe Arcimboldo’s portraits depicted with fruits and vegetables. The vigorous use of colours in Vitturi’s works is again tempting. Uncanniness of the series Anthropocene is mixed with jolliness this time, flirting with the eye of the beholder.
