While I’m sure almost all of you have heard of Shirin Neshat, a tribute. Best known for the photographic series Women of Allah, two-screen video works, and the film Women Without Men (2009), her work addresses the female experience and sexual politics in Islamic societies. As in Turbulence (1998) here, Neshat’s use of lush chiaroscuro seeks to articulate potent ideology, vibrant culture, and unforgiving social codes lived by her subjects.
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mono.kultur #49:
Santiago Sierra
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